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“There are several artists at Todd-AO and its sister company Soundelux—including Lon Bender, Wylie Stateman, Per Hallberg, Karen Baker Landers and Mark Stoeckinger—with whom I worked early in my career,”
he said. “I’m very excited to have the opportunity to work with them again and to ensure that Todd-AO has the best Foley stage in the industry.”
From “The Empire Strikes Back” to “Robin Hood”, award-winning Foley artist Gary Hecker of Todd-AO says it takes “timing and a huge creative mind” to be the man behind the sound. Here, he shares tips and tricks he’s learned during a career that has spanned more than 200 films.
Hecker also recently joined CSS Studios’ Todd-AO in late 2009. One of the most accomplished Foley artists in Hollywood. Among his recent credits are 2012, The Taking of Pelham 1 2 3, Angel & Demons, Watchmen and the Spiderman trilogy.
Hecker became enamored with Foley while still in high school and has worked in the field his entire career. He is the recipient of three Golden Reel Awards, most recently in 2006 for War of the Worlds, to go with more than 20 Golden Reel nominations.
He has also contributed to several films that have garnered Academy Awards or Academy Award nominations for sound, including Master and Commander:
The Far Side of the World, War of the Worlds, Road to Perdition and Memoirs of a Geisha. In 1998, Entertainment Weekly named Hecker to its list of the “100 Most Creative People in Entertainment.”
“I’m a creative guy and it’s the creative aspects of Foley that have always appealed to me,” Hecker said. “I also like working with other sound artists and making my clients happy.”